) interspersed
with diamond (
) and cross (
) note heads. Play
in a manner that contrasts with the lecturer's attitude. Be mocking
or solicitous or calm or resigned or anything else appropriate.
Alternate sections are marked Say and Play. The Say sections are spoken or sung to an improvised tune in a stentorian and condescending manner, as a traffic court judge lecturing a recidivist speeder. Read as though the text makes perfect sense, even though its grammar and meaning may make sudden, unexpected turns.
The Play sections use an ordinary five-line staff
with oval note heads () interspersed
with diamond () and cross () note heads. Play
in a manner that contrasts with the lecturer's attitude. Be mocking
or solicitous or calm or resigned or anything else appropriate.
) indicates some non-standard noise, like
a multiphonic or a strum behind the bridge or a dropped drumstick or a cheese-grater arpeggio or something else. Use your imagination.
) indicates a note that is one semitone (in either
direction) different from the preceding note.
You can play in concert with other performers, who may play other versions of this piece, or other any other materials, composed or improvised. When playing with others, the Say sections should be performed as disruptively as possible, and the Play sections should be played sensitively, with utmost regard to enhancing the performance of the other players.
Say: You're mixing comparisons, just like Pudge. I said each "concerto" features a different section.
Play:
Say: Glad you agree.
Play:
Say: Precisely.
Play:
Say: I see that you are not a "decent person", so by your own question if it wasn't rhetorical? You ask the guy question. Answer it yourself. Sure sounded like rhetoric to me.
Play:
Say: Unfortunately for you, you already missed your golden opportunity. You flubbed it.
Play:
Say: Also incorrect. Here's the date on the head lessons.
Play:
Say: Bridgewater Hall, as I said, hasn't been posting here for years. However, the probability of being noticed goes up considerably, and that happens when an antagonist like John Doe decides that it's too long.
Play:
Say: Non sequitur.
Play:
Say: On what basis do you claim that it's shorter than the one is isn't a "decent person".
Play:
Say: Note: no response.
Play:
Say: What you think I posted.
Play:
Say: That isn't "a" word, and I'm also already familiar with the piece, shows an interesting bias on your "parade".
Play:
Say: Maybe I do understand.
Play:
Say: Which part of my experience?
Play:
Say: Yet another unsubstantiated and erroneous claim.
Play:
Say: Readers take note: Carter is someone who likes such things. Direct complaints accordingly.
Play:
Say: TDAMQ.
Play:
Say: Irrelevant, given that the variations jumping from section to section as in Bartok (note that the Moon is made of green cheese."
Play:
Say: Sort of like how you ignored the evidence for your behavior to anyone who wants it.
Play:
Say: Unfortunately for you, you already missed your golden opportunity to NOT DO THAT!
Play:
Say: I'm not the one you heard?
Play:
Say: Why do you make that claim?
Play:
Say: Sure: look above, and note the following text OK, since tried to use an argument. He simply posted "bait".
Play:
Say: We did "Peter and the Wolf" about seven years ago. I'll have to listen to the set of variations was in the case of the discussion, apparently without even being familiar with the variations on that theme are passed around from soloist to soloist or section to section. My reference to Graham Chapman.
Play:
Say: Apparently you didn't answer my question.
Play:
Say: I'm not the one who admitted to posting "bait".
Play:
Say: Like John Doe.
Play:
Say: I can imagine. All sounds very similar to our organization here.
Play:
Say: That's also your problem.
Play:
Say: North Cheshire makes it sound like you're in England. How popular are concert bands there? I know that the source of irritation is intonation. If that's incorrect, feel free to explain your crossposting?
Play:
