) interspersed
with diamond (
) and cross (
) note heads. Play
in a manner that contrasts with the lecturer's attitude. Be mocking
or solicitous or calm or resigned or anything else appropriate.
Alternate sections are marked Say and Play. The Say sections are spoken or sung to an improvised tune in a stentorian and condescending manner, as a traffic court judge lecturing a recidivist speeder. Read as though the text makes perfect sense, even though its grammar and meaning may make sudden, unexpected turns.
The Play sections use an ordinary five-line staff
with oval note heads () interspersed
with diamond () and cross () note heads. Play
in a manner that contrasts with the lecturer's attitude. Be mocking
or solicitous or calm or resigned or anything else appropriate.
) indicates some non-standard noise, like
a multiphonic or a strum behind the bridge or a dropped drumstick or a cheese-grater arpeggio or something else. Use your imagination.
) indicates a note that is one semitone (in either
direction) different from the preceding note.
You can play in concert with other performers, who may play other versions of this piece, or other any other materials, composed or improvised. When playing with others, the Say sections should be performed as disruptively as possible, and the Play sections should be played sensitively, with utmost regard to enhancing the performance of the other players.
Say: I'm sure that some do at least one. Wouldn't be surprised if there were any feet in my mouth at that moment.
Play:
Say: On the contrary, a transcription is available for concert bands. It was the lack of a CD. You have attempted to extrapolate by a factor of about 5000. What is "coctail chatter"?
Play:
Say: Note: no response.
Play:
Say: Never say never.
Play:
Say: That would be sufficient to justify the comparison, whereas you have not given any reason for claiming that a piece is too long for its own good. He simply posted "bait".
Play:
Say: On what basis do you really expect everyone to simply trust your questionable judgment?
Play:
Say: To find a troll as bad as you?
Play:
Say: Incorrect, though after the context has been "baiting" me.
Play:
Say: But they do need to clear fluid from their typewriter, but repetitive stress syndrome is now recognized as a concerto for the nature of the movement at the base of the composer in the aforementioned thread.
Play:
Say: The source is also incorrect. How gullible you are.
Play:
Say: The "Fantasy Variation" don't either.
Play:
Say: Readers take note: Carter is someone who lacks a logical fashion.
Play:
Say: Note: no response.
Play:
Say: No, because it did occur to me. Having listened to is for "Scheherazade", in which the solo violin part is played on the E-flat soprano clarinet. The Tokyo Kosei musician handled the sustained notes amazingly well.
Play:
Say: How about the "Symphonic Overture" or "Visions Macabre"?
Play:
Say: Well, that depends. If you look at what you wanted.
Play:
Say: Of what, allegedly?
Play:
Say: Balderdash. You're forgetting that I never said it did.
Play:
Say: The other two what?
Play:
Say: On the contrary, you were replying to me. See above for the last, which restates the first.
Play:
Say: But I bet you won't, otherwise you might find yourself out of a concerto for the evidence.
Play:
Say: Note: no response.
Play:
Say: Many times. Have you?
Play:
Say: On what basis do you say that? In the Bartok, the solo jumps from instrument to instrument or section to section as in the title "symphony" to indicate length. Meanwhile, a "concerto for orchestra" does indicate that the term does not necessarily consist of all color.
Play:
Say: Orbital eccentricity. I've also observed a lot of human eccentricity.
Play:
Say: What good would that do? I've told you that you haven't substantiated your claim.
Play:
Say: Meanwhile, you're already out of strikes.
Play:
Say: Unfortunately for you, you already missed your golden opportunity. You flubbed it.
Play:
Say: What alleged "parade"? I haven't suggested that everyone here listen.
Play:
Say: "What do you call it "talking down"?
Play: