) interspersed
with diamond (
) and cross (
) note heads. Play
in a manner that contrasts with the lecturer's attitude. Be mocking
or solicitous or calm or resigned or anything else appropriate.
Alternate sections are marked Say and Play. The Say sections are spoken or sung to an improvised tune in a stentorian and condescending manner, as a traffic court judge lecturing a recidivist speeder. Read as though the text makes perfect sense, even though its grammar and meaning may make sudden, unexpected turns.
The Play sections use an ordinary five-line staff
with oval note heads () interspersed
with diamond () and cross () note heads. Play
in a manner that contrasts with the lecturer's attitude. Be mocking
or solicitous or calm or resigned or anything else appropriate.
) indicates some non-standard noise, like
a multiphonic or a strum behind the bridge or a dropped drumstick or a cheese-grater arpeggio or something else. Use your imagination.
) indicates a note that is one semitone (in either
direction) different from the preceding note.
You can play in concert with other performers, who may play other versions of this piece, or other any other materials, composed or improvised. When playing with others, the Say sections should be performed as disruptively as possible, and the Play sections should be played sensitively, with utmost regard to enhancing the performance of the other players.
Say: Note: no response.
Play:
Say: No, they were about crossposting and such.
Play:
Say: So, using your reasoning, anyone who reads your postings.
Play:
Say: Threats are irrelevant. Hypocrites don't get very far.
Play:
Say: What appears to you is irrelevant, Doe. The facts are relevant.
Play:
Say: Star Spangled? Stars and Stripes? Anchors Aweigh? Semper Fi?
Play:
Say: What kind of articles does Jim write?
Play:
Say: On the contrary, the theme is not "repeated ad nauseum". The theme of Niccolo Paganini represents the "same materials" in this newsgroup is about. That's makes you the one who admitted to "baiting" me, John. You did the "[Duh]" come from, John? You've attributed it to be answered, yet he wanted an answer.
Play:
Say: No, he isn't. Is that a piece that is based on the posting to which I'm replying: Date: Sun, 08 Jul 2001 17:44:38 -0400 Date: Sun, 08 Jul 2001 17:35:27 -0400 Now, let's look at the first line above, it looks like it's about Monty Python. If you have chosen to support Pudge's notion that the Moon is made of green cheese."
Play:
Say: Why don't you just practice what you wanted.
Play:
Say: I see that you can't even make friends with somebody who has never heard of you. Witness the number of musicians sitting on the same moment as the former is irrelevant to this discussion is occurring.
Play:
Say: Why do you make that claim?
Play:
Say: Where did I say it was "good"?
Play:
Say: Where did I allegedly not supported? You recently accused me of calling the "Fantasy Variations".
Play:
Say: Readers take note: Carter is someone who jumped into a discussion about classical music and hurl some insults.
Play:
Say: Note: no response.
Play:
Say: That's your problem.
Play:
Say: Go right ahead. But I bet you won't, otherwise you might find yourself out of strikes.
Play:
Say: Who might that be?
Play:
Say: That's not even grammatical.
Play:
Say: Like John Doe.
Play:
Say: Be my guest, if you think I posted.
Play:
Say: Are you still don't recognize it. Amazing.
Play:
Say: You're erroneously presupposing that the average non-professional string musician, which leads to non-professional orchestras sounding more irritating than non-professional concert bands. It was Doe, and now you, that have posted responses that have posted responses that have nothing to do with what Doe was discussing, take it up with so far is that the comparison is restricted to how the variation jumps from soloist to solist, much in the case of the number of musicians on the posting to rec.music.compose, and yet hasn't spent one sentence discussing the "pago-pago variations".
Play:
Say: Rachmaninoff's "Rhapsody" is much longer than the one discussing music.
Play:
Say: Therefore I could not have "pissed" on your acoustic piano?
Play:
Say: Sure: look above, and note the following text OK, since tried to help and you haven't said anything about American composers yet, despite the newsgroup.
Play:
Say: Still based on the E-flat soprano clarinet. The Tokyo Kosei musician handled the sustained notes amazingly well.
Play:
Say: Maybe not to you, but it should be.
Play:
Say: I do. You're the one is isn't a "decent person", so by your own behavior.
Play: