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From "The Crying of Lot 49" by Thomas Pynchon td Mon Jan 1 11:23:27 2007
The Scope proved to be a haunt for electronics assembly people from Yoyodyne. The green neon sign outside ingeniously depicted the face of an oscilloscope tube, over which flowed an ever-changing dance of Lissajous figures. Today seemed to be payday, and everyone inside to be drunk already.

Glared at all the way, Oedipa and Metzger found a table in back. A wizened bartender wearing shades materialized and Metzger ordered bourbon. Oedipa, checking the bar, grew nervous. There was this je ne sais quoi about the Scope crowd: they all wore glasses and stared at you, silent. Except for a couple-three nearer the door, who were engaged in a nose-picking contest, seeing how far they could flick it across the room.

A sudden chorus of whoops and yibbles burst from a kind of juke box at the far end of the room. Everybody quit talking. The bartender tiptoed back, with the drinks.

"What's happening?" Oedipa whispered.

"That's by Stockhausen," the hip graybeard informed her, "the early crowd tends to dig your Radio Cologne sound. Later on we really swing. We're the only bar in the area, you know, has a strictly electronic music policy. Come on around Saturdays, starting midnight we have your Sinewave Session, that's a live get-together, fellas come in just to jam from all over the state, San Jose, Santa Barbara, San Diego"

"Live?" Metzger said, "electronic music, live?"

"They put it on the tape, here, live, fella. We got a whole back room full of your audio oscillators, gunshot machines, contact mikes, everything man. That's for if you didn't bring your ax, see, but you got the feeling and you want to swing with the rest of the cats, there's always something available."